OL12
가끔은 혁신을 추구하다 실수할 때도 있습니다. 하지만 빨리 인정하고 다른 혁신을 개선해 나가는 것이 최선입니다. Sometimes when you innovate, you make mistakes. It is best to admit them quickly, and get on with improving your other innovations. -스티브 잡스
♕ Ving
∙This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
∙Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time.
♕ Ved/PP
∙This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
∙Every great thing that was ever started began in uncertainty.
♕ To
∙We must remind ourselves that there are two possible ends to every uncertain journey we embark upon.
∙In order to bring our ideas or dreams to life, we have to expect fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us.
∙Either we learn a lesson that brings us one step closer to our true desires or we reach the point we set out for.
∙Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time.
♕ Conj
∙Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely enjoyed the respect that society pays him or her today.
∙This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
∙We must remind ourselves that there are two possible ends to every uncertain journey we embark upon.
∙Either we learn a lesson that brings us one step closer to our true desires or we reach the point we set out for.
∙Every great thing that was ever started began in uncertainty.
♕ It
∙In order to bring our ideas or dreams to life, we have to expect fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us.
1. He often became an itinerant performer, [travelling / travelled]1 among small towns and rural villages to perform during festivals or to celebrate important occasions in the lives of the local gentry.
2. Steve Jobs pondered, "Is there a need for this" and now we have minicomputers [that / what / how]1 fit in our pockets.
3. Either we learn a lesson that brings us one step closer [ouring / to our]2 true desires or we reach the point we set out for.
4. New Year, and other festival times. Every great thing that was ever [starting / started]2 began in uncertainty.
5. Either we learn a lesson [that / what / how]1 brings us one step closer to our true desires or we reach the point we set out for.
6. Until recently, in fact, a theater practitioner could hardly earn his [living / lived]1 with one stationary troupe.
7. New Year, and other festival times. Every great thing [that / what / how]1 was ever started began in uncertainty.
8. This is what causes difficulty in [seing / seen]1 close objects clearly ( [calling / called]2 presbyopia), [necessitating / necessitated]1 either longer arms or corrective lenses.
9. As we grow older, the eye lens becomes more yellow, [causing / caused]1 poorer color discrimination in the green-blue-violet end of the spectrum.
10. Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely enjoyed the respect [that / what / how]1 society pays him or her today.
11. This also poses a major problem in driving. Because drivers are constantly [changing / changed]1 their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower [refocusing / refocused]1 time.
12. Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely [enjoying / enjoyed]2 the respect that society pays him or her today.
13. Most individual actors were at least part-time itinerants, contributing to the image of the vagabond good-for-nothing [that / what / how]1 afflicted his profession for centuries.
14. This is [that / what / how]2 causes difficulty in seing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
15. Steve Jobs pondered, "Is there a need for this" and now we have minicomputers that fit in our pockets. In order [bringing / to bring]2 our ideas or dreams to life, we have [expecting / to expect]2 fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us.
16. Most individual actors were at least part-time itinerants, [contributing / contributed]1 to the image of the vagabond good-for-nothing that [afflicting / afflicted]2 his profession for centuries.
17. We must remind ourselves [that / what / how]1 there are two possible ends to every uncertain journey we embark upon.
18. He often became an itinerant performer, travelling among small towns and rural villages to perform during festivals or [celebrating / to celebrate]2 important occasions in the lives of the local gentry.
<7> Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely enjoyed the respect that society pays him or her today. [올림 12-3]
<7> He often became an itinerant performer, travelling among small towns and rural villages to perform during festivals or to celebrate important occasions in the lives of the local gentry. [올림 12-3]
<7> Most individual actors were at least part-time itinerants, contributing to the image of the vagabond good-for-nothing that afflicted his profession for centuries. [올림 12-3]
<6> As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum. [올림 12-3]
<6> This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses. [올림 12-3]
<7> Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time. [올림 12-3]
1. Prior [modern / to / era, / the] the [rural / whether / actor, / Chinese] amateur [or / professional, / urban / rarely] enjoyed [respect / that / society / the] pays [her / today / or / him].
Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely enjoyed the respect that society pays him or her today.
2. He [became / itinerant / an / often] performer, [among / small / travelling / towns] and [to / perform / villages / rural] during [celebrate / or / to / festivals] important [the / lives / occasions / in] of [local / the / gentry].
He often became an itinerant performer, travelling among small towns and rural villages to perform during festivals or to celebrate important occasions in the lives of the local gentry.
3. Most [individual / were / actors / at] least [to / part-time / itinerants, / contributing] the [of / vagabond / the / image] good-for-nothing [his / profession / that / afflicted] for centuries.
Most individual actors were at least part-time itinerants, contributing to the image of the vagabond good-for-nothing that afflicted his profession for centuries.
4. As [older, / the / grow / we] eye [more / lens / yellow, / becomes] causing [discrimination / color / poorer / in] the [end / green-blue-violet / of / the] spectrum.
As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum.
5. This [causes / difficulty / is / what] in [objects / close / seeing / clearly] (called [necessitating / presbyopia), / longer / either] arms [lenses / corrective / or].
This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
6. Because [are / changing / drivers / constantly] their [the / focus / instrument / from] panel [autos / and / other / to] signs [the / highway, / on / older] drivers [miss / may / information / important] because [refocusing / of / their / slower] time.
Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time.
기회는 일어나는 것이 아니라 만들어내는 것이다. -크리스 그로서
1 Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely enjoyed the respect that society pays him or her today.
2 Until recently, in fact, a theater practitioner could hardly earn his living with one stationary troupe.
3 He often became an itinerant performer, travelling among small towns and rural villages to perform during festivals or to celebrate important occasions in the lives of the local gentry.
4 Most individual actors were at least part-time itinerants, contributing to the image of the vagabond good-for-nothing that afflicted his profession for centuries.
5 In the imperial period, entire urban troupes might tour the countryside at harvest, New Year, and other festival times.
1 현대 시대 이전에는 시골의 아마추어든 도시의 전문배우든 상관없이 중국의 배우는 오늘날 사회가 그들에게 표하는 존경을 거 의 향유하지 못했다. 2 사실상 최근까지 전문 연기자는 한 지역에 정착하여 공연하는 극단으로는 거의 생계를 유지할 수 없었다. 3 그는 흔히 순회 연기자가 되어 축제기간 동안 공연하기 위해서 또는 지방 유지의 삶에서 중요한 행사를 축하하기 위해서 작은 도시와 시골 마을들을 여행하였다. 4 대부분의 개인 자 격의 배우들은 적어도 시간제로 일하는 순회배우였고, 수세기 동안 그의 직업에 폐를 끼친, 이리저리 떠도는 아무짝에도 쓸모없는 사람이라는 인식을 심어주는 데 기여하였다. 5 제국주의 시대에는 도시극단 전체가 추수철, 설날, 그리고 다른 축제 기간에 지방을 돌아다닐 수 도 있었다.
현대 시대 이전에는 시골의 아마추어든 도시의 전문배우든 상관없이 중국의 배우는 오늘날 사회가 그들에게 표하는 존경을 거 의 향유하지 못했다.
1 Prior to the modern er
사실상 최근까지 전문 연기자는 한 지역에 정착하여 공연하는 극단으로는 거의 생계를 유지할 수 없었다.
2 Until recently, 연i
그는 흔히 순회 연기자가 되어 축제기간 동안 공연하기 위해서 또는 지방 유지의 삶에서 중요한 행사를 축하하기 위해서 작은 도시와 시골 마을들을 여행하였다.
3 He often became an it
대부분의 개인 자 격의 배우들은 적어도 시간제로 일하는 순회배우였고, 수세기 동안 그의 직업에 폐를 끼친, 이리저리 떠도는 아무짝에도 쓸모없는 사람이라는 인식을 심어주는 데 기여하였다.
4 Most in
제국주의 시대에는 도시극단 전체가 추수철, 설날, 그리고 다른 축제 기간에 지방을 돌아다닐 수 도 있었다.
5 In the imperial period, en
modern / era / rural / amateur / urban / professional / rarely / respect / society / 연in / theater / practitioner / earn / stationary / troupe / itinerant / performer / travelling / rural / perform / festivals / celebrate / important / occasions / local / gentry / individual / least / itinerants / contributing / image / vagabond / afflicted / profession / centuries / period / entire / urban / troupes / tour / countryside / harvest / festival
Prior to the modern era, the Chinese actor, whether rural amateur or urban professional, rarely enjoyed the respect that society pays him or her today. |
( ) Most individual actors were at least part-time itinerants, contributing to the image of the vagabond good-for-nothing that afflicted his profession for centuries.
( ) Until recently, in fact, a theater practitioner could hardly earn his living with one stationary troupe.
( ) In the imperial period, entire urban troupes might tour the countryside at harvest, New Year, and other festival times.
( ) He often became an itinerant performer, travelling among small towns and rural villages to perform during festivals or to celebrate important occasions in the lives of the local gentry.
∙Prior to ∙Until re ∙He often ∙Most ind ∙In the i
1 Every great thing that was ever started began in uncertainty.
2 Thomas Alva Edison asked, "Will this work" and now we experience the gift of the lightbulb.
3 Steve Jobs pondered, "Is there a need for this" and now we have minicomputers that fit in our pockets.
4 In order to bring our ideas or dreams to life, we have to expect fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us.
5 We must remind ourselves that there are two possible ends to every uncertain journey we embark upon.
6 Either we learn a lesson that brings us one step closer to our true desires or we reach the point we set out for.
1 지금까지 시작된 위대한 모든 것은 불확실성에서 시작되었다. 2 Thomas Alva Edison은 "이것이 작동될까"라는 의문을 가졌고, 우리는 지금 전구라는 선물을 경험하고 있다. 3 Steve Jobs는 "이것이 필요할까"에 대해 곰곰이 생각했고, 지금 우리는 주머니에 딱 맞는 소형 컴퓨터를 가지고 있다. 4 우리의 아이디어나 꿈에 생기를 불어넣기 위해서, 우리는 두려움과 불확실성을 예상하고, 그것을 기꺼이 맞아들여야 하며, 일단 그것에 직면하면 그것은 더 이상 우리에게 지배력이 없다는 것을 알아야 한다. 5 우리는 우리 스스로에게 우리가 착수하는 모든 불확실한 여행에는 두 가지의 가능성 있는 결말이 있다는 것을 상기시켜야 한다. 6 우리의 진정한 욕망으로 한 발짝 더 다가서게 하는 교훈을 배우거나 또는 우리가 목표로 삼고 출발했던 지점에 도달하게 된다는 것을 말이다.
지금까지 시작된 위대한 모든 것은 불확실성에서 시작되었다.
1 Every great thing that was ever started began in un
Thomas Alva Edison은 "이것이 작동될까"라는 의문을 가졌고, 우리는 지금 전구라는 선물을 경험하고 있다.
2 Thomas Alva Edison asked, "Will this work" and now we experience the gift of the li
Steve Jobs는 "이것이 필요할까"에 대해 곰곰이 생각했고, 지금 우리는 주머니에 딱 맞는 소형 컴퓨터를 가지고 있다.
3 Steve Jobs po
우리의 아이디어나 꿈에 생기를 불어넣기 위해서, 우리는 두려움과 불확실성을 예상하고, 그것을 기꺼이 맞아들여야 하며, 일단 그것에 직면하면 그것은 더 이상 우리에게 지배력이 없다는 것을 알아야 한다.
4 In order to bring our ideas or dreams to life, we have to expect fear and un
우리는 우리 스스로에게 우리가 착수하는 모든 불확실한 여행에는 두 가지의 가능성 있는 결말이 있다는 것을 상기시켜야 한다.
5 We must re
우리의 진정한 욕망으로 한 발짝 더 다가서게 하는 교훈을 배우거나 또는 우리가 목표로 삼고 출발했던 지점에 도달하게 된다는 것을 말이다.
6 Either we learn a lesson that brings us one step closer to our true de
started / uncertainty / experience / gift / lightbulb / pondered / minicomputers / fit / order / expect / fear / uncertainty / remind / possible / uncertain / journey / embark / desires / reach
Every great thing that was ever started began in uncertainty. |
( ) We must remind ourselves that there are two possible ends to every uncertain journey we embark upon.
( ) Either we learn a lesson that brings us one step closer to our true desires or we reach the point we set out for.
( ) Thomas Alva Edison asked, "Will this work" and now we experience the gift of the lightbulb.
( ) In order to bring our ideas or dreams to life, we have to expect fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us.
( ) Steve Jobs pondered, "Is there a need for this" and now we have minicomputers that fit in our pockets.
∙Every gr ∙Thomas A ∙Steve Jo ∙In order ∙We must ∙Either w
Thomas Alva Edison asked, "Will this work" and now we experience the gift of the lightbulb. ①
Every great thing that was ever started began in uncertainty. ① Steve Jobs pondered, "Is there a need for this" and now we have minicomputers that fit in our pockets. ② In order to bring our ideas or dreams to life, we have to expect fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us. ③ We must remind ourselves that there are two possible ends to every uncertain journey we embark upon. ④ Either we learn a lesson that brings us one step closer to our true desires or we reach the point we set out for. ⑤
Steve Jobs pondered, "Is there a need for this" and now we have minicomputers that fit in our pockets. ②
Every great thing that was ever started began in uncertainty. ① Thomas Alva Edison asked, "Will this work" and now we experience the gift of the lightbulb. ② In order to bring our ideas or dreams to life, we have to expect fear and uncertainty, welcome it in, and know that once we face it, it no longer has a hold on us. ③ We must remind ourselves that there are two possible ends to every uncertain journey we embark upon. ④ Either we learn a lesson that brings us one step closer to our true desires or we reach the point we set out for. ⑤
1 As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum.
2 Also, the lens's ability to adjust and focus declines as the muscles around it stiffen.
3 This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
4 To complicate matters further, the time our eyes need to change focus from near to far (or vice versa) increases.
5 This also poses a major problem in driving.
6 Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time.
1 나이가 들어감에 따라 우리 눈의 수정체는 더 노랗게 변하면서 (빛의) 스펙트럼의 끝부분에 있는 초록-파랑-보라 색깔의 식별을 더 못하게 된다. 2 또한 수정체 주위의 근육이 경직되면서 조정하고 초점을 맞추는 수정체의 능력이 떨어진다. 3 이것이 가까운 물건을 명확하게 보는 것을 어렵게 만드는 (노안이라 부르는) 것인데, 더 긴 팔 이나 교정 렌즈를 필요하게 만든다. 4 문제를 더 복잡하게 만드는 것은 우리의 눈이 가까운 곳에서 먼 곳으로 (그 반대도 마찬가지이다) 초점을 바꾸는 데 필요한 시간이 늘어나는 것이다. 5 이것은 또한 운전을 할 때 심각한 문제를 제기한다. 6 운전자들은 계기판에서 다른 자동차와 고속도로 위의 표지판으로 끊임없이 자신의 초점을 변경하는데, 노인 운전자들은 초점을 다시 맞추는 시간이 더 오래 걸리기 때문에 중요한 정보를 놓칠 수 있다.
나이가 들어감에 따라 우리 눈의 수정체는 더 노랗게 변하면서 (빛의) 스펙트럼의 끝부분에 있는 초록-파랑-보라 색깔의 식별을 더 못하게 된다.
1 As we grow older, the eye le
또한 수정체 주위의 근육이 경직되면서 조정하고 초점을 맞추는 수정체의 능력이 떨어진다.
2 연A
이것이 가까운 물건을 명확하게 보는 것을 어렵게 만드는 (노안이라 부르는) 것인데, 더 긴 팔 이나 교정 렌즈를 필요하게 만든다.
3 This is what causes difficulty in seeing close ob
문제를 더 복잡하게 만드는 것은 우리의 눈이 가까운 곳에서 먼 곳으로 (그 반대도 마찬가지이다) 초점을 바꾸는 데 필요한 시간이 늘어나는 것이다.
4 To co
이것은 또한 운전을 할 때 심각한 문제를 제기한다.
5 This 연a
운전자들은 계기판에서 다른 자동차와 고속도로 위의 표지판으로 끊임없이 자신의 초점을 변경하는데, 노인 운전자들은 초점을 다시 맞추는 시간이 더 오래 걸리기 때문에 중요한 정보를 놓칠 수 있다.
6 Because drivers are co
older / lens / causing / poorer / discrimination / spectrum / 연Also / lens / ability / adjust / focus / declines / muscles / stiffen / difficulty / objects / presbyopia / necessitating / corrective / lenses / complicate / matters / further / focus / versa / increases / 연also / poses / constantly / focus / instrument / panel / autos / highway / older / important / refocusing
As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum. |
( ) Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time.
( ) This also poses a major problem in driving.
( ) To complicate matters further, the time our eyes need to change focus from near to far (or vice versa) increases.
( ) Also, the lens's ability to adjust and focus declines as the muscles around it stiffen.
( ) This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses.
∙As we gr ∙Also, th ∙This is ∙To compl ∙This als ∙Because
Also, the lens's ability to adjust and focus declines as the muscles around it stiffen. ①
As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum. ① This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses. ② To complicate matters further, the time our eyes need to change focus from near to far (or vice versa) increases. ③ This also poses a major problem in driving. ④ Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time. ⑤
This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses. ②
As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum. ① Also, the lens's ability to adjust and focus declines as the muscles around it stiffen. ② To complicate matters further, the time our eyes need to change focus from near to far (or vice versa) increases. ③ This also poses a major problem in driving. ④ Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time. ⑤
This also poses a major problem in driving. ④
As we grow older, the eye lens becomes more yellow, causing poorer color discrimination in the green-blue-violet end of the spectrum. ① Also, the lens's ability to adjust and focus declines as the muscles around it stiffen. ② This is what causes difficulty in seeing close objects clearly (called presbyopia), necessitating either longer arms or corrective lenses. ③ To complicate matters further, the time our eyes need to change focus from near to far (or vice versa) increases. ④ Because drivers are constantly changing their focus from the instrument panel to other autos and signs on the highway, older drivers may miss important information because of their slower refocusing time. ⑤
'고등부교재 [워크북] > 올림포스기본1' 카테고리의 다른 글
올림포스 기본1_3과 (해석연습) (116) | 2018.03.29 |
---|---|
올림포스 기본1-2과 (해석연습) (185) | 2018.03.26 |
올림포스 기본1 1강 (해석연습) (372) | 2018.03.16 |